Japan, Tokyo, Osaka, Kyoto, Yokohama, Kurume, Korea – Seoul, Niigata, Koochi, 1981
Onomichi, OnomichiCityMuseum,1982
Hong Kong, Hong Kong Museum of Art, Picasso Intime, Collection Maya Ruiz-Picasso, 1982, n° 71, illustrated p. 86
Paris, Grand Palais, F.I.A.C., September 1983
Cologne, Galerie Gmurzynska, Pablo Picasso, October – November 1983, p. 82, illustrated p. 83
Paris, Galerie Daniel Malingue, Maîtres impressionnistes et modernes, 1984, n° 13
Sannois, Musée Maurice Utrillo
Literature
C. Zervos, Pablo Picasso : Œuvres de 1920 à 1922, vol. 4, Paris 1951, no.242, illustrated plate 85
The Picasso Project, Picasso’s Paintings, Watercolors, Drawings and Sculptures.A Comprehensive iIlustrated Catalogue 1985-1973, Neoclassicism I, 1920-1921, San Francisco 1995, n° 21-033, illustrated p. 174
J. Palau I Fabre , Picasso, from the Ballets to Drama (1917-1926),Madrid 1999, n° 969,
illustrated p. 258
P. Kropmanns and U. Fleckner, “Von Kontinentaler Bedeutung, Gottlieb Friedrich Reber und seine Sammlungen”, “Die Moderne und ihre Sammler. Französische Kunst in deutschem Privatbesitz vom Kaiserreich sur Weimarerr Republik, Berlin 2001, p. 404
Picasso et les choses, catalogue of exhibition 1992, illustrated p. 136