Archives

Acrylic and black ink on paper laid down on canvas


60 x 51 cm (23 ⅝ x 20 ⅛ in.)

Bronze, black patina




Height: 39 cm. (16 ½ in.)
With a letter of expertise from The Archipenko Foundation.

Plaster




18,4 x 19,8 x 22 cm ( 8,14 x 8,57 x 8,66 in.)
•The authenticity of this work has been confirmed by the Alberto and Annette Giacometti Foundation (june 2009). It will be published in their forthcoming catalogue raisonné (n° 1247).
•The authenticity of this work has been confirmed by Mrs Mary-Lisa Palmer (13 october 2009). It will be published in her forthcoming catalogue raisonné

Oil on canvas (unstretched)

57.8 x 46.4 cm (22 3/4 x 18 1/4 in.)

Oil on canvas
50.2 x 65.1 cm. (19 x 24 ⅝ in.)
The authenticity of this painting has been confirmed by the Comité Sisley. It will be included in the forthcoming new edition of the catalogue raisonné, being prepared by Galerie Brame & Lorenceau.

Tempera on paper laid down on board

91 x 61 cm. (35 ⅞ x 24 in.)
This work is recorded in The Mark Tobey Archives compiled by Paul Cummings and maintained by Achim Moeller, New York.

Oil on canvas


100.5 x 81.5 cm (39 ⅜ x 32 ⅛ in.)

Oil on canvas
109 x 111 cm. (42 ⅞ x 43 ¾ in.)

Oil and tempera on canvas


65 x 81 cm. (25 ½ x 31 ⅞ in.)
With a certificate from the Comité Marc Chagall.

Oil on canvas
99 x 73 cm (39 x 29 in.)
On the reverse: signed, located and dated: Marc 1948 Chagall Vence 1952, annotated in Russian: петух, бабочки, цветы, мак, хром, жëлтый, крас., роз., ли (trans.: rooster, butterfly, flowers, poppy, chrome, yellow, red, pink, purple)

Oil on canvas
100 x 100 cm. (39½ x 39½ in.)

Pastel on paper

103 x 73 cm. (40 ½ x 28 ¾ in.)

Gouache on linen
33 x 24.5 cm (13 x 9 5/8 in)

Oil on cardboard


18.5 x 48.5 cm (7 ¼ x 19 ⅛ in.)

Oil on canvas stretched over wood panel

47 x 60.6 cm (18 ½ x 23 ¾ in.)

plastic
32 x 35 x 6.5 cm (12 ⅝ x 13 ¾ x 2 ⅝ in.)
39 x 42 x 16 cm with the base

Oil on canvas
92.1 x 60 cm. (36 ¼ x 23 ⅝ in.)
Painted on 5 March 1944

Oil on canvas



81 x 60 cm (31⅞ x 23 ⅝ in.)

Pasted paper, gouache, watercolour and pencil on paper
Image : 41 x 58 cm (16 1/4 x 22 ¾ in)
Sheet : 55 x 66,5 cm (19 3/4 x 26 ¼ in)

Oil on canvas
66 x 47 cm (26 x 18 ½ in.)
With a letter from the Wildenstein Institute of inclusion to the Catalogue Critique of Amedeo Modigliani being prepared by Marc Restellini (ref: 010607/8063/2259).

Oil on canvas
56 x 80.9 cm (22 x 31 ¾ in.)

Gouache and tempera on paper
70.5 x 71.1 cm. (27 ¾ x 28 in.)

Oil on canvas
73 x 60 cm (28 ¾ x 23⅝ in.)

Pink bubinga wood
340 x 100 x 75 cm (133 ⅞ x 39 ⅜ x 29 ½ in.)

Crayon on paper
25 x 33 cm (9 7/8 x 13 in.)

80 etchings with burnished aquatint, drypoint and engraving, 1810-1820, from the first edition of 1863, on wove paper watermark JGO, Palmette or none, fine or very fine impression, bound.
Album: 250 x 350 mm. (9⅞ x 13¾ in.)

Oil on canvas

73 x 100 cm. (28 ¾ x 39 ⅜ in.)
This work will be included in the forthcoming Hans Hartung Catalogue Raisonné being prepared by the Fondation Hans Hartung and Anna-Eva Bergman, Antibes, and is recorded under number T1948-3.

Acrylic on canvas
91.2 x 117 cm. (35 ⅞ x 46 in.)

With a registration card from the Kusama Enterprise numbered 2916 and dated 14/Feb./2017

Oil on canvas
61 x 46 cm (24 x 18 1/8 in.)

Oil on canvas
57 x 73 cm. (22 ½ x 28 ¾ in.)

Oil on canvas
90.3 x 116.9 cm. (35½ x 46 in.)

Incised ink and gesso on card


49.5 x 32.3 cm (19 ½ x 12 ¾ in.)
According to Sophie Webel from the Fondation Dubuffet (November 2005), Rudy Augustinci was from Italian descent and was managing the Galerie Rive Gauche in Paris. They worked together with Jean Dubuffet in the early fifties. In the beginning of their relationship, Dubuffet used to write “Augustincic”. The signature, date and dedication were added by the artist, which was confirmed by the Dubuffet Fondation.

Oil on canvas
105 x 117.5 cm (41 ⅜ x 46 ¼ in.)

Oil on canvas


240 x 200 cm (94 ½ x 78 ¾ in)