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PIERRE ALECHINSKY (b. 1927)
Trilogie – Chaleur unique, 1984Acrylic and black ink on paper laid down on canvas
60 x 51 cm (23 ⅝ x 20 ⅛ in.) -
ALEXANDER ARCHIPENKO (1887-1964)
Seated black torso, Conceived in 1909 and cast at a later dateBronze, black patina
Height: 39 cm. (16 ½ in.)
With a letter of expertise from The Archipenko Foundation. -
ALBERTO GIACOMETTI (1901-1966)
Tête cubiste ou Tête-crâne , Conceived in 1934 and executed in 1935Plaster
18,4 x 19,8 x 22 cm ( 8,14 x 8,57 x 8,66 in.)
•The authenticity of this work has been confirmed by the Alberto and Annette Giacometti Foundation (june 2009). It will be published in their forthcoming catalogue raisonné (n° 1247).
•The authenticity of this work has been confirmed by Mrs Mary-Lisa Palmer (13 october 2009). It will be published in her forthcoming catalogue raisonné
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JOAN MIRO (1893-1983)
Femme et oiseaux dans la nuit, 1944Oil on canvas (unstretched)
57.8 x 46.4 cm (22 3/4 x 18 1/4 in.) -
ALFRED SISLEY (1839-1899)
Entre Moret et Saint Mammès, 1883Oil on canvas
50.2 x 65.1 cm. (19 x 24 ⅝ in.)
The authenticity of this painting has been confirmed by the Comité Sisley. It will be included in the forthcoming new edition of the catalogue raisonné, being prepared by Galerie Brame & Lorenceau. -
MARK TOBEY (1890-1976)
Wounded Tide, 1957Tempera on paper laid down on board
91 x 61 cm. (35 ⅞ x 24 in.)
This work is recorded in The Mark Tobey Archives compiled by Paul Cummings and maintained by Achim Moeller, New York. -
JEAN DUBUFFET (1901-1985)
Machine à Ecrire I, 1964Oil on canvas
100.5 x 81.5 cm (39 ⅜ x 32 ⅛ in.) -
FRANK KUPKA (1871-1957)
Bleus Mouvants III , Painted in 1925-27, retouched by the artist in 1933Oil on canvas
109 x 111 cm. (42 ⅞ x 43 ¾ in.) -
MARC CHAGALL (1887-1985)
Couple aux pivoines à Vence, circa 1977Oil and tempera on canvas
65 x 81 cm. (25 ½ x 31 ⅞ in.)
With a certificate from the Comité Marc Chagall. -
MARC CHAGALL (1887-1985)
Les Amoureux aux Coquelicots or Deux Bouquets à High Falls, between 1948 and 1952.Oil on canvas
99 x 73 cm (39 x 29 in.)
On the reverse: signed, located and dated: Marc 1948 Chagall Vence 1952, annotated in Russian: петух, бабочки, цветы, мак, хром, жëлтый, крас., роз., ли (trans.: rooster, butterfly, flowers, poppy, chrome, yellow, red, pink, purple) -
PIERRE SOULAGES ( 1919-2022)
Peinture, 1961Oil on canvas
100 x 100 cm. (39½ x 39½ in.) -
PABLO PICASSO (1881-1973)
Compotier et Guitare, 1921Pastel on paper
103 x 73 cm. (40 ½ x 28 ¾ in.) -
CAMILLE PISSARRO (1830-1903)
La Fenaison, Eragny, circa 1889Gouache on linen
33 x 24.5 cm (13 x 9 5/8 in)
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FELIX VALLOTTON (1865-1925)
Le soir, ou le Jardin du Luxembourg , 1895Oil on cardboard
18.5 x 48.5 cm (7 ¼ x 19 ⅛ in.) -
BEN NICHOLSON (1894-1982)
Painting 1939, 1939Oil on canvas stretched over wood panel
47 x 60.6 cm (18 ½ x 23 ¾ in.) -
ANTOINE PEVSNER (1884-1962)
En manière de construction murale, 1926plastic
32 x 35 x 6.5 cm (12 ⅝ x 13 ¾ x 2 ⅝ in.)
39 x 42 x 16 cm with the base
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PABLO PICASSO (1881-1973)
Buste de femme (Portrait de Dora Maar), 1944Oil on canvas
92.1 x 60 cm. (36 ¼ x 23 ⅝ in.)
Painted on 5 March 1944 -
TAMARA DE LEMPICKA (1898-1980)
Le rêve, 1927Oil on canvas
81 x 60 cm (31⅞ x 23 ⅝ in.) -
RENÉ MAGRITTE (1898-1967)
Le jockey perdu, 1926Pasted paper, gouache, watercolour and pencil on paper
Image : 41 x 58 cm (16 1/4 x 22 ¾ in)
Sheet : 55 x 66,5 cm (19 3/4 x 26 ¼ in)
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AMEDEO MODIGLIANI (1884-1920)
Buste de femme aux épaules nues (Jeanne Hébuterne), 1919Oil on canvas
66 x 47 cm (26 x 18 ½ in.)
With a letter from the Wildenstein Institute of inclusion to the Catalogue Critique of Amedeo Modigliani being prepared by Marc Restellini (ref: 010607/8063/2259). -
EDVARD MUNCH (1863-1944)
Woman by the sea in Ǻsgårdstrand, 1898Oil on canvas
56 x 80.9 cm (22 x 31 ¾ in.) -
MARIA-HELENA VIEIRA DA SILVA (1909-1992)
The entrance, 1961Gouache and tempera on paper
70.5 x 71.1 cm. (27 ¾ x 28 in.)
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ZAO WOU-KI (born 1921)
26.7.73, 1973Oil on canvas
73 x 60 cm (28 ¾ x 23⅝ in.)
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OSSIP ZADKINE (1888-1967)
Le messager, 1937Pink bubinga wood
340 x 100 x 75 cm (133 ⅞ x 39 ⅜ x 29 ½ in.) -
VINCENT VAN GOGH (1853-1890)
Le champ de blé, Saint-Rémy, 1889 in May-JuneCrayon on paper
25 x 33 cm (9 7/8 x 13 in.)
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FRANCISCO DE GOYA Y LUCIENTES (1746-1828)
Les Désastres de la Guerre80 etchings with burnished aquatint, drypoint and engraving, 1810-1820, from the first edition of 1863, on wove paper watermark JGO, Palmette or none, fine or very fine impression, bound.
Album: 250 x 350 mm. (9⅞ x 13¾ in.) -
HANS HARTUNG (1904-1989)
T 1948-3, 1948Oil on canvas
73 x 100 cm. (28 ¾ x 39 ⅜ in.)
This work will be included in the forthcoming Hans Hartung Catalogue Raisonné being prepared by the Fondation Hans Hartung and Anna-Eva Bergman, Antibes, and is recorded under number T1948-3. -
YAYOI KUSAMA (b. 1929)
Pumpkin, 1993Acrylic on canvas
91.2 x 117 cm. (35 ⅞ x 46 in.)
With a registration card from the Kusama Enterprise numbered 2916 and dated 14/Feb./2017 -
FERNAND LEGER (1881-1955)
Les Maisons sous les Arbres, 1912-1913Oil on canvas
61 x 46 cm (24 x 18 1/8 in.)
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RAOUL DUFY (1877-1953)
La voile blanche, 1906Oil on canvas
57 x 73 cm. (22 ½ x 28 ¾ in.)
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MARC CHAGALL (1887-1985)
Le couple, 1928Gouache on paper mounted on isorel
63 x 48.2 x cm. (24 ⅞ x 19 in.) -
HENRI-EDMOND CROSS (1856-1910)
Paysage avec le Cap Nègre, 1906 June-NovemberOil on canvas
90.3 x 116.9 cm. (35½ x 46 in.)
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JEAN DUBUFFET (1901-1985)
Le dentiste, 1947Incised ink and gesso on card
49.5 x 32.3 cm (19 ½ x 12 ¾ in.)
According to Sophie Webel from the Fondation Dubuffet (November 2005), Rudy Augustinci was from Italian descent and was managing the Galerie Rive Gauche in Paris. They worked together with Jean Dubuffet in the early fifties. In the beginning of their relationship, Dubuffet used to write “Augustincic”. The signature, date and dedication were added by the artist, which was confirmed by the Dubuffet Fondation. -
PIERRE BONNARD (1867-1947)
La Marchande de fleurs, rue Lepic et place Blanche, Paris, 1905Oil on canvas
105 x 117.5 cm (41 ⅜ x 46 ¼ in.)
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JOAN MITCHELL (1925-1992)
Champs, 1990Oil on canvas
240 x 200 cm (94 ½ x 78 ¾ in)
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